![]() ![]() One aspect of that scale's sound is the b9, which is a note Miles Davis often sat on. ![]() At one point, I just asked him, 'How do you play all that out shit?'" That was in 1971." "We were on the bill with Larry Coryell at a club long gone in L.A. At one point, I just asked him, 'How do you play all that out shit?' He said, 'I use the half-step whole-step scale.' And I was like, 'Okay.' I went back to my hotel room and went G, G#, A#, B, and I worked out the scale. "We were on the bill with Larry Coryell at a club long gone in L.A. "A long time ago, I was 19, and my brother Patrick, a drummer, and I were playing with Charlie Musselwhite," Ford says. Ford was a member of Davis' band in 1986, although he began using that scale much earlier. It's a scale that's been in the jazz repertoire for decades and was a huge part of the Miles Davis sound throughout the 1980s. ( For more insight, watch Robben Ford explain-and play-diminished scale blues in this video.)Ī big part of Robben Ford's playing is his use of the half/whole diminished scale, which is an eight-note scale that alternates half-steps and whole-steps over the course of an octave.
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